01 „The Sweetness“ [JACKMODE 005]
02 „No Moral“ [unsigned]
03 „1“ [unsigned]
04 „Feldrecord im Zirkus (with LAURA WEIDER)“ [unsigned]
05 „Punchi Punchi“ [out soon on 0001]
06 „Haseldance“ [unsigned]
07 „Derrick“ [out soon on SWEAT IT OUT]
08 „Punchi Punchi (ANTONIO OLIVIERI Remix)“ [out soon on 0001]
09 „Ein Kuss Ist Ein Kuss (Remix)“  [Original "Was uns beiden gehört" by WIR SIND HELDEN]
10 „Punchi Yellow (Daft Punked Edit)“ [unreleased]
11 „The Sweetness  (J.PHLIP Remix)“ [JACKMODE 005]

Robosonic celebrate the beginning of 2012 with a release on Jackmode, „The Sweetness” (which includes a bassheavy remix by J. Phlip of Dirtybird and Pets Recordings fame), a videomashup to the original track and a mixalbum entitled „Sweet and Nuts“.
The Jackmode release marks a special moment in Robosonic‘s eventful journey, which is now spanning 6 years; the boys haven‘t released any original material since their critically acclaimed debut album „Sturm und Drang“ and vinyl EPs (with album tracks and remixes by the likes of Jesse Rose, Santiago & Bushido, Koletzki & Meindl, Deo & Z-Man, Christopher Just and more) on their own label between 2007 and 2009.
Instead, Robosonic have been drawn towards the dancefloor and performed countless gigs – both at their homebase Berlin and worldwide – making a name for themselves as a seasoned DJ duo which has a lot of fun rocking exciting sets of heavily danceable, norm-defying electronic music in clubs and at numerous festivals morning, day, and night, often taking their crowd on a musical trip of epic proportions.
To commemorate their sucessful year and a return to a more production-focused career, Robosonic present the mixalbum „Sweet and Nuts“. This one hour mix of music contains nothing but new and 100% original Robosonic tracks and remixes (J. Phlip, Antonio Olivieri), some still unsigned and – - for your exclusive preview – - some which are soon to be released.

Go ahead and join the celebration party by grabbing the „Sweet and Nuts“ mixalbum! –> DOWNLOAD

DOWNLOAD PRESSKIT & MIX.zip

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ROBOSONIC feiern den Jahresanfang 2012. Mit dem Release „The Sweetness“ auf Jackmode (inklusive Remix von J.Phlip, Bass-Liebhabern bekannt von Dirtybird und Pets Recordings), einem passenden Videoschnitt und mit dem Mixalbum „Sweet and Nuts“.

Seit mittlerweile sechs Jahren mischen ROBOSONIC die Tanzflächen von Berlin und dem Rest der Welt auf. Als DJs kneten sie den Brei der massenhaften House- und Techno-Veröffentlichungen in appetitliche Formen und präsentieren ausgewählte Scheiben – meist frisch gebrannt – in der Diskothek, im Freien oder in ihrem BKI-Podcast. (www.berlin-kreuzberg-institut.com)

Als Produzenten-Team war seit ihrem Debut-Album „Sturm und Drang“ und den Vinyl-EPs auf dem eigenen Label (u.a. mit Remixen von Jesse Rose, Santiago & Bushido, Koletzki & Meindl, Deo & Z-Man, Christopher Just…) kaum etwas von ihnen zu hören – es sei denn man war einmal Gast bei den Hunderten von Auftritten.

Zur Feier des Feierabends teilen sie jetzt mit Familie und Freunden einen ganzen Korb Früchte ihrer eigenen Arbeit. ROBOSONIC revanchieren sich damit ebenso bei Veranstaltern, Clubs, Labels, Kollegen und Unterstützern für das erfolgreiche Jahr und freuen sich auf die nächsten Veröffentlichungen.

Anfang 2012 erscheinen über das eigene digitale Imprint namens 0001 endlich auch die Musikstücke zum erfrischenden (und schon wieder ausverkauften) „Punchi“-Frotteeschal (http://www.punchi.de/shop/punchi/punchi-robosonic-yellow.html).
Der „Feldrecord im Zirkus“ wurde zusammen mit LAURA WEIDER aufgestellt, die zu Lebzeiten der Bar25 ein 40-stündiges Klavierkonzert dort gab. Übrigens entgegen manch hämischer Unterstellung: ganz ohne Zuhilfenahme von bunten Pillen oder künstlichen Wachmachern, sondern nur mit Saft, Nüsschen und den Liebesperlen ihrer Helferlein. (www.lauraweider.de) True story.
Der „Haseldance“ hingegen bringt märchenhafte Gemüter in Wallung, besonders zur Weihnachtszeit. „Derrick“ löst endlich seinen letzten Fall. „1“ entstand im Ursprung für eine Perfomance der lebendigen Discokugel BELLA BERLIN, „Ein Kuss ist ein Kuss“ als Remix für WIR SIND HELDEN. „No Moral“ gilt gemeinhin als die saure Gurke unter den Süssigkeiten.

Bei „Sweet and Nuts“ folgen ROBOSONIC konsequent dem Rezept, das sie sich über Jahre auf der Bühne einverleibt haben: Massiger Boden mit reichlich Gummibonbons wird auf ein unterhaltsames Brett ausgerollt, Eier und Nüsse dazu, lauter bunter Schnickschnack obendrauf! Im richtigen Muster (quadratisch, 4×4!) angeordnet kann jetzt eine Kostprobe in Deine private Keksdose geladen werden:

DOWNLOAD Sweet and Nuts

Nur solange der Vorrat reicht.

DOWNLOAD PRESSKIT & MIX.zip

2. The Sweetness (J.Phlip Remix)

Label : Jackmode
Cat-Nr : JACK005
Release Date : 2011-12-13
Info: Robosonic return in full effect with the stunning and beautiful ‘The Sweetness’, after a brief hiatus with regards to original releases the Berlin duo present this unique track to the masses via Jackmode Music.

The Sweetness plays on an inviting Piano line, dancing delicately over vocal hiccups and flirting with intricate percussion. The track evolves and drops into slightly moodier bass territory that goes half time and then back again, the soulful FX swirling and repeating over themselves. The strength of the track relies in all the elements working together in perfect harmony, calling and answering to each other….which is perfectly executed after the final drop.
J. Phlip takes the remix duties head on with a great interpretation, the american DJ and Producer shows her flair for all things bass with a track drenched in low-end loveliness. A tough kick underpins a hypnotic loop that rolls out into a spacious breakdown. The final drop doesnt disappoint, big drums and dark percussion make this new version a surefire dancefloor work out.

early DJ feedback:

Eats Everything – “The Phlipmeister delivers yet again with a super bass heavy roller! Absolutely love this, been caning it everywhere and it never fails. B I G!”

Soul Clap – “Flip that shit Phlip!! Great remix from Jess!!”

Ellen Allien – “This is a nice release. Different, but nice. Will test it out.

Maya Jane Coles – “JPhlip doing the business as PER usual! Great stuff girl!”

Anja Schneider – “J.Phlip does it here for me. Such a sweet mix!”

Till von Sein – “Woah…original is kinda cool! Dig the whole vibe and J to the Phlizzo? what else to expect…killin it again, cool ep!”

Kris Wadsworth – “Absolutely stunning remix work. I’ve listened to this more times than i can count. It belongs in a film score…or in a dream on its way to space. Seriously luxurious and lush sounds here. This gives me chills which is the best compliment i can give something. Whoa…”

Ewan Pearson – “Weird mixture of very sweet and playful – nicely creative. Need to give a couple more listens.”

Ben Westbeech – “The Phlip mix for me. Pure vibes. NICE AND DIFFERENT.”

Riva Starr – “Lady J delivers the fatness once again! LOVE it!!”

Lee Curtiss – “Fun tracks! J.Phlip Remix is the pick for me though. Support!”

Guy J – “J.Phlip Remix mix is standing out here for me. Will give it some plays!

Uner – “NO WORDS …. simply perfect!!!! and sweet!!

Christian Martin – “JPhlip’s remix is next level! Killer!”

Kiki – “The original sounds great! A tune that could really stand out in a set.”

Joris Voorn – “Original is super sweet! The Remix is too, but not really for my sets..”

Deetron – “Oh yes… this is a GREAT J.Philip remix! Support from me for sure!!”

Craig – (Silicone Soul) – “Feeling this from the opening bars, the dogs gherkin! Lovely sound! thx.”

Agoria – “The original is a really cool record. I like it!”

Nat Self (Zombie Disco Squad) – “BIG LOVE for Jess’ remix!!! ☺”

A1 Bassline – “Big fan of J.Phlip so her remix is the one for me. BIG tune!!”

Chris James – “Really nice sounds from the original. Jess’s mix is big for the clubs ☺ dirtybird Madness. Perfect for our Coat Of Arms Sets. Go Phlip.”

AFFKT – “Love both versions of The Sweetness, Emotional and solid! Support.”

2. Yasmin (Deo & Z-Man Remix)

3. Die kleine Prinzessin (Micah Remix)

4. Die kleine Prinzessin
(Juho Kahilainen Depressive Trance In Ibiza Remix)
*WhatPeoplePlay Exclusive!”

5. Die Kinder vom Kotti (Fase Remix)

“Sturm und Drang Remixes” features 5 new takes on tracks of the critically acclaimed ROBOSONIC debut album “Sturm und Drang”.
The release at the same time completes the era of the “Sturm und Drang” album works & reworks (in the form of 1 CD album, 3 vinyls with remixes, 3 music videos, release parties, tours and an art exhibition) by Berlin-based DJ & producer team ROBOSONIC, and it initiates their new label 0001. Album tracks so far have been remixed by the likes of JESSE ROSE, OLIVER KOLETZKI, FLORIAN MEINDL, CHRISTOPHER JUST, DEADSET, SANTIAGO & BUSHIDO and JAN HERTZ. These awesome remixes have all been released on vinyl and digitally on the ROBOSONIC vinyl label DISKOMAFIA, and helped spread the word about the ROBOSONIC music internationally.

“Sturm und Drang Remixes” is the first release on this digital-only label, showcasing a ROBOSONIC “Refresh” of their track “Yasmin”, as well as remixes by the groovy brothers from Hamburg DEO & Z-MAN (Opossum / 3rd Wave), the Finnish Techno artist JUHO KAHILAINEN (Prologue), the Argentinean streetart & music combo FASE (Igloo / Airdrop) and the Canadian producer MICAH (Ruhnsong).

::

AVAILABLE TO BUY FROM 28. June 2010!
Note: the Juho Kahilainen Remix is a *WhatPeoplePlay Exclusive*.

The title of their debut album ,Sturm und Drang‘ (translated literally it means „Storm and Stress“) takes its name from the turbulent German literary period of the same name which championed the emphatic struggles of the volatile emotional self. Sturm und Drang captures the current feelings and attitudes of young freethinking musicians Sacha Robotti and Cord Henning Labuhn. Although, while it draws on literary influences, it isn’t an attempt at setting a soundtrack to these famous Germanic literary works.
The album is born out of and inspired by the nocturnal lives and the creative surroundings of the duo.

The framework of the album is a humorous, cynical exposure of bourgeois German culture and language. It can be interpreted as a critical discourse in the constant struggle to describe music through words, while the music follows its own dramaturgy and aesthetics. The design of the cover is a tongue in cheek reference to the famous publisher ‚Reclam‘ and its reknown small yellow books every German pupil had to labour over in high school. In the CD booklet you will find „Interpretationen zu Sturm und Drang“, acting as the „literary“ part of the album project, taking the concept of the successful club vinyl maxis „Yasmin“ (inkl. KOLETZKI & MEINDL und THE COCONUT WIRELESS Remixes) and „Die Verwandlung“ (inkl. JESSE ROSE und CHRISTOPHER JUST Remixes) one step further.

Dancefloor-Dialectics

In the same way that their public do not hail from a homogenous scene, Robotti and Labuhn come from different musical and social backgrounds, but form an intact and energy charged team that manages to find solidarity and consensus in the studio, during performances and on the road. Productions and remixes (not to mention bootlegs) by Robosonic can already be found in thousands of DJ‘s record cases and hard drives long before the release of this debut album.
Parts of the album evolved over a period of 1-2 years but with the nearing move/split of Robosonic (Buenos Aires — Ber- lin), Sturm und Drang is the fruit of an intensive three month production period where previous transatlantic ideas solidified and where not only artistic visions were shared but also a home, money and sustenance.

The Companions

The two multi-instrumentalists, DJs and labelrunners were supported by a host of other musicians who supplied classical and electronic instrumentation.
Saxophone contributions by Sir Speck Wildhorse were chopped up, distorted and twisted and used in the track „Sprach- fehler“ which was originally used in the remix of Le Hammond Inferno (Speech Defects). Vocals on „Die kleine Prinzessin“ are provided by the fantastic jazz singer Joanna Dong from Singapore, accompanied by Jonas Hauer on the Wurlitzer-piano and the Theremin as well as Gergely Mohl on cello.
The otherworldliness of „1984“ is built up using strings and reverberated layers of deepness and flows into „Die uner- trägliche Leichtigkeit des Seins“, a rippling reminiscence of nostalgic moments. Jo Kaa‘s soulful voice in the theatrically poppy „Kabale und Liebe“ was reworked a little with the aid of modern techno- logy. The lyrically plaintive nature of his words is betrayed by the surprising end in which a female voice pleads for something more down-to-earth. A Warcraft machinima music video, produced by Pusteblume and Kim Köster, adds to the poppy weirdness of the song. Robosonic is surrounded by an international creative network that communicates an artistic vision through artwork, painting, design and video.

The process

Field recordings from daily life above and below ground in Berlin and experimental sound design are craftily assembled with quotes and musical open-mindedness to form a determined and original style. Tools included resoldered video games and guitars dragged through analog synthesizers.

„Kaputt in Hollywood“ (named after a book by Charles Bukowski) shows the humorous and undogmatic side of Robosonic and makes unashamed references to their activities in the mash-up and bootleg world.
„Yasmin“, a bleepy feel-good hymn, is the first single of the album, released on vinyl on their own label Diskomafia / Undercoverart. „Traumnovelle“ uncovers the suffering of unrequited love, capturing it in a twisted groove.
Influences from hip-hop culture such as scratching techniques are strikingly obvious in „Die Blechtrommel“. Technoid minimalism and life in the metropolis characterise „Die Kinder vom Kotti“, a trip into the hearts of junkies and joggers and also an ode to Berlin‘s Kreuzberg Zentrum. With the similarly subtle album closer „Die Verwandlung“ the listener is tempted into a contemplative after-hours mindstate assisted by the soundscapes of Jo Bünemann…
Despite widely diverging influences and their daring iconoclastic style, „Sturm und Drang“ has one main line: Freedom, initiative and emotion in a driving 4/4 beat.

some press feedback:

TAZ
„Das Berliner DJ-Team aus Sacha Robotti und Cord Henning Labuhn hat mit “Sturm und Drang” eine nachgerade klassische Technoplatte programmiert, die aber ganz in Ruhe alle Eigenheiten des Genres seziert und sie in nahezu akademischer Genauigkeit wieder ausstellt.“

INTRO, Deutschland:
„Schlicht und einfach: Segel gestrichen. Weiße Flagge. Kapitulation. Einem Machwerk von Platte wie dieser hier, die sich in dialektischen Meisterleistungen gegen jede Beschreibung und Kanonisierung, gegen jeden Funken Ernsthaftigkeit, ja selbst noch gegen die Erklärung ihrer selbst zu allergrößter Totalkunst unter Verwendung von mindestens drei Tonnen Ironie absichert, noch bevor der erste gesamplete Witz überhaupt angespielt wurde, einem solchen Machwerk also ist mit den stumpfen Wortwaffen des Kritikers niemals nicht beizukommen.
Zum wiederholten Male und ganz offiziell: Ich kapituliere vor dem Elektro-Spaß von Cord Henning Labuhn und Sacha Robotti. Ich kapituliere vor Reclam-Covereinbänden, vor der literarischen Übersättigtheit von Grass-House, vor dem Bildungsbürgertum und seiner genüsslich zur Schau gestellten Selbstzerfleischung, vor absurden Interludes, vor irrer Zitatwut und der vermutlich neunhundertsten Dance-Version von Suzanne Vegas “Tom’s Diner”. Der “Sturm und Drang” von Robosonic schreit laut Gesamtkunstwerk und ergeht sich in der existenziellen Manie des Alles-(inklusive sich selbst-)durch-den-Kakao-Ziehens. Franz Kafka sei Dank haben die beiden belesenen Berliner Beatbastelberserker darüber nicht das Musikmachen vergessen. Denn Labuhn & Robotti machen auch ohne literarisch-ironisches Rüstzeug Spaß. Nämlich schlicht und einfach mit ihrer Tanzmucke.“

BLOND, Nico Cramer, Deutschland
„Da soll noch mal jemand sagen, die Postmoderne mit all ihrer Zitatversessenheit und Ironieverliebtheit habe sich tot gelaufen.
Zumindest in Berlin und Buenos Aires läuft sie weiter, und das ganz hervorragend. Dort sind nämlich Sacha Robotti und Cord Henning Labuhn zu Hause, die unter dem Namen Robosonic elektronische Musik machen. Das tun sie auf eine beachtlich kreative Weise – ihre Musik referiert nicht nur innerhalb des elektronischen Spektrums auf Einflüsse so angestammt wie Detroit-Techno und so aktuell wie Berlin-Minimal-Electro, sondern zitiert sich mithilfe von Samples launig einmal quer durch die Popkultur. Es erschien Robotti und Labuhn daher angezeigt, einen ungewöhnlichen Weg zu gehen: Man fragte den Stuttgarter Reclam Verlag, ob er daran interessiert sei, sein literarisches Repertoire mit intelligenter Dance-Musik aufzuwerten. War er nicht, woraufhin Robosonic den Ironie-Joker zogen, indem sie nicht nur das Cover-Artwork den berühmten gelben Büchlein anpassen, sondern sich im Booklet zudem augenzwinkernd-hochgestochene Abhandlungen der Songs auf „Sturm und Drang“ befinden. Da ist dem Reclam Verlag eine Perle entgangen!“

DE:BUG, Deutschland
„Die Vinylgestaltung ist beim Robosonic-Duo immer mit so viel Liebe gemacht und kommt nach letztem Mal in Reclam-Verpackung jetzt im Suhrkamp-Style (obwohl Kafka glaube ich nie auf Suhrkamp „releast“ hat, aber ist ja auch völlig egal). Auf jeden Fall spiegelt die Platte den wohl edelsten deutschen Verlag mit einer sehr feinen Produktion wieder. Kein dogmatischer Minimal, sondern viele Breaks, dabei schöne weiche Stabs, ein groovender Bass, ein Hymnenartiges Hip-Hop-Sample und das spartanisch eingesetzte Vocal-Sample „Yo“. Ein Sammelsurium an Einflüssen, stetige Verwandlung, dabei klingt es aber alles wunderbar rund. Jesse Rose remixt und macht daraus einen bouncigen Fidget-Track mit vielen modulierten Blips und Blops. Auch Christopher Just nimmt sich der Sache an und beginnt mit einer Kafka-Lesung, um dann eine bratzige Ravenummer mit einer gehörigen Portion quietschender Synthies loszulassen. Sehr fett. Dazu gibt’s noch den versteckten Hit Der Ritt von Robosonic, eine wahre Reise der Track, und sehr melodisch. Was sich Robosonic wohl als nächstes einfallen lassen? Hoffentlich viel. Raus kommt nämlich immer viel Gutes.“

M8 Magazine, UK (album of the month):

„Really interesting stuff this from the Berlin/Buenos Aires duo, with each of the 12 tracks referencing a great work of literature. Sounds like a chin stroker´s paradise but you’ll find a cracking collection of deep, splintering techno that moves through phases (dub, minimal, full-on banging) at will. There’s so much going on in every track; one minute it’s the haunting string atmospherics of ‚1984’, the next it’s the magnetic electro chords an VonStroke-style bleeps and tweets of ‚Yasmin’ and ‚Die Blechtrommel’. Pick out individual thumpers for your dancefloor requirements if you must, but this really does work best taken in one, long sweep of electronic goodness as there are enough peaks, drops and spaced out detours to satisfy the most demanding, impatient listerner. This is definitely the thinking man’s sound of the underground. Highly recommended.“

365MAG, Harry Avers, USA:

“Rush out and buy this record. You will not be disappointed. I hope you have the same experience as I did. Brilliance! Pure brilliance.“

ROBOSONIC returns from Miami with an outstanding new remix package for your ears.
On their label DISKOMAFIA, “Kaputt in Hollywood” is presented with its own “Walk of Fame”, where the stars shine brightly on those who listen and dance. In this package you will be pleased to find remixes by Front Room recording artists, DEADSET from London and Potty Mouth superstars, SANTIAGO & BUSHIDO from the Windy City Chicago. The original track is taken from ROBOSONIC’s critically acclaimed debut artist album, “Sturm und Drang”. From the groovy minimal minded DEADSET production, to the filthy, grimy in your face SANTIAGO & BUSHIDO Remix, this package is sure to fill dancefloors from Berlin to California. Dancers beware: there’s a new sheriff in town!

DEADSET: 2007 was the year of this sympathetic producer and live duo from London, as their debut album “Keys Open Doors” received rave reviews from the press and support from DJs and house music lovers the world over. DJs such as Jesse Rose, Luciano, Ricardo Villalobos, Andrew Weatherall and Claude Von Stroke have been playing their tracks everywhere to great effect. The duo formally known as CASS + MANGAN have previously remixed the likes of Miss Kittin, Röyksopp, Tiefschwarz, Justin Timberlake and the Scissor Sisters. They have had releases and remixes on labels such as Fine, Blu Fin, Souvenir, Made To Play, DirtyBird, Moon Harbour, Wall Of Sound and Tsuba…

SANTIAGO & BUSHIDO: Amidst the countless DJ’s and producers working in the burgeoning Chicago house scene, Santiago & Bushido stand apart from the rest with a blend of heavy house-tinged funk-tech tracks that has given them critical moxie in Chicago and beyond. Chris Santiago and Tim Bush have been creating a buzz as of late, as the “For What” EP on Potty Mouth was released to critical praise and support from dj’s across the globe including Switch and Johnny Fiasco – with their single “Head Trick” climbing the charts on Beatport.com and holding the nr.1 download spot for a few weeks… Let there be JACK ! …

Here comes the second official 12” of ROBOSONIC in anticipation to their debut album “Sturm und Drang” (to be released in September 2007)! After numerous remix-productions which will be released on different labels within the next months, the last album track “Die Verwandlung” was chosen to be the follow-up to the great success of “Yasmin” (incl. Koletzki & Meindl and Coconut Wireless Remixes) released early 2007.

The young independent DJ-Team and producer duo ROBOSONIC is made up of Sacha Robotti living in Berlin and Cord Henning Labuhn (also known for HipHop production under the name “Schall”) meanwhile living in Argentina’s capital Buenos Aires.
So far they have been tearing apart clubs, illegal raves, parades and festivals all over the world, playing an innovative wild mix of electronic music they refer to as “Dance Entertainment for Junkies and Joggers”.

“Die Verwandlug” (German for “The Metamorphosis”.. see Kafka) is a subtle morphing track on the deep edge of minimalism. Its strange atmoshere is crafted by weird sound textures and a patient, determined arrangement with surprises.

“Der Ritt” is a techhouse horse riding adventure about the happy lonely but desperately love-seeking gauchos ROBOSONIC literally taking place in the wide and beautiful Pampa of Berlin-Kreuzberg. It takes quite a journey to reach the climax of melodic melancholy and true skool kitsch sung to you by ugly nightowls hiding behind big white piles of snow.

JESSE ROSE [Get Physical/ Dubsided], master of fidget house remixes, delivers what he is known for: his very own vision of sound. Bleepy, bouncy, surprising house or something hard to define? Jesse metamorphoses “Die Verwandlung” from scratch, creating a free interpretation.
The remix by CHRISTOPHER JUST [International DJ Gigolo/ Kitsuné], a “harder” and more straightforward interpretation bathing in acid, is destined to fit in record cases of techno DJs.

The first official 12” of ROBOSONIC! After various remixes and bootlegs to be found in numerous record cases, their debut album “Sturm und Drang” is in the pipeline.
The Berlin-based young independent DJ-Team and producer duo ROBOSONIC [made up of Sacha Robotti and Cord Henning Labuhn] has so far been tearing clubs, illegal raves, parades and festivals apart, playing an innovative and wild mix of electronic music – accordingly, they see themselves as providers of “muscular dance entertainment for junkies & joggers”.
This maxisingle contains their two intelligent club tracks “Yasmin” and “Die Kinder vom Kotti”. Both tracks provide an insight into what we can expect from the album: fresh, beautiful, edgy, deep, unusual, groovy, minimal and maximally arranged music with intellect and emotion in a dancefloor nutshell.

OLIVER KOLETZKI [Cocoon/Stil vor Talent] is joined by FLORIAN MEINDL [Stil Vor Talent/Resopal/Trapez] for their remix of “Yasmin” – the result of their efforts is a great functional peaktime club smasher.
The “Yasmin” remix by THE COCONUT WIRELESS [Kontor/Poptowncity Recordings], a “harder” and more straightforward version of the original track, is destined to fit in record cases of electrohouse DJs.